Debra's writing has taken an unexpected turn.
Not to get too religious here, but I'm a big believer in letting God lead me in the direction He wants me to go. When I got a rejection on the mss I'd submitted to a new publisher, I took that as a sign that I wasn't supposed to make a huge career change from teacher to full-time author. Yes, yes...I also know the old adage of not putting all of your eggs in one basket, but like I said, I'm a big believer in signs. And I figured He was sending me one. Not to mention that things in my day job were looking up. (The school year got off to a rough start, but the kiddos and I had finally reached an understanding, and I was enjoying being in the classroom again. For a while there...mid-life crisis perhaps?...I really was contemplating getting out.) To me, that was another sign to stay put.
As I was cleaning out my inbox and deleting old e-mails, I came across the one I'd gotten from Wild Rose about getting my books into audio. I'd re-upped all of the contracts necessary to start the projects, but to be honest, with the keep-to-the-path-you're-on signs I seemed to be getting, and a bit of laziness thrown in to boot, I'd kind of lost interest in the idea. So, I deleted that e-mail.
Wouldn't you know it? A day or two later, our marketing rep contacted me and said she was going through old e-mails/files and saw I'd re-upped all of my contracts, and unless I had any questions or special requirements for narrators, she would mark those books as ready for audio auditions. I told her to go ahead, honestly thinking those auditions were hard to come by and it probably wouldn't amount to anything in the long run.
By know I really should know better than to tempt fate, right?
In the next few days I was inundated with auditions for my books. There were coming in two and three in a day. And then things really got rolling.
As it stands right now, here's what's going on:
I have one book (New Year's Eve at The Corral) almost ready to be released. There was just one small correction in one chapter.
(I wanted to attach the 'retail sample' audio clip here, but in reading directions in how to do that in blogger, it seemed WAY too complicated, so I'm not even going to attempt it right now! LOL)
I have another book (Wild Wedding Weekend) mid-production with the narrator sending me chapters to approve as she gets them done.
I've approved chapter samples for two stories (One Great Night and Valentine's Day at The Corral.)
And, I've heard and approved auditions for six other stories, which should mean that contracts have been offered and I'll be getting chapter samples on those soon.
Which means that all of my stories except for my original Corral trilogy (Which I haven't re-upped the contracts for...long story...yet) and An Unexpected Blessing are the only titles not at some stage in the audio process at the moment.
Keep in mind that all of this started on April 5. Less than a month ago.
So in addition to being excited about getting my stories...especially the older ones...out there in a new format and giving them new life, here's what I've taken away from this whole thing.
Apparently God wants me to be multi-dimensional in my life's pursuits.
And I'm getting more excited about my writing again...even though with the school year quickly winding down (which involves more projects, special nights, and field trips than imaginable) I really don't have time to write these days...and am looking forward to sitting down with my laptop once summer comes and figuring out what the heck to do with my completed mss that needs some work and the mss I started for NaNoWriMo...which is a GIANT mess...and (hopefully) getting that sucker finished. Where they'll go once they are fixed/finished is anyone's guess at this point.
But I'll be keeping my heart and mind open for signs from above, and what is meant to happen with them will happen. He always lets me know...in His own time.
Until next time,
Monday, April 30, 2018
Tuesday, April 24, 2018
Paula looks at adverbs in our writing.
‘The road to hell is paved with adverbs,’ said Stephen King.
In one sense, I agree with him. Adverbs can often lead to lazy writing. Recently I read a novel (by a best-selling author) which was littered with adverbs, especially after dialogue tags. On one Kindle page alone, there was: said truculently, said coldly, retorted sarcastically, said wearily, reiterated sullenly, said dourly - and when I got to 'she ejaculated hoarsely’ I nearly splurted my coffee in the middle of Starbucks!
Yes, there are times when we should avoid adverbs, especially when they are redundant (‘she whispered quietly’) or when the adverb can be replaced by a stronger verb (‘he raced down the street’ instead of ‘he walked quickly’). With dialogue, it is usually better to show (with a simple action/gesture) how a character is feeling, rather than giving readers a plethora of adverbs to tell them how someone said something.
However, this doesn’t mean that ALL adverbs have to be deleted! Sometimes an effort to do that can lead to ‘clunky’ writing, especially if the writer is simply substituting an adverbial phrase in place of the adverb. Isn’t it better to say ‘He stroked her cheek tenderly’ instead of ‘He stroked her cheek in a tender manner’ (or any other verbose description of what ‘tenderly’ means)?
Do a search of your latest chapter for ‘ly’ words, and you’ll probably (there’s one!) be surprised by how often you use words ending in ‘ly’. But then consider how the sentences containing each of those words could be rewritten. Could I have removed ‘probably’ from the above sentence? Yes, but then I’d be assuming that you WILL be surprised or, worse still, insinuating that you have used millions of adverbs! Omitting that adverb would change the whole meaning of the sentence – and that can be true in our fiction writing, too.
I do think we need to be aware of not overusing adverbs, but at the same time, not go overboard trying to find other words. Sometimes a simple adverb is the best word to use.
Tuesday, April 17, 2018
Jennifer attended a writing workshop...
I went to my first writing workshop in a long time. It was a master class, taught by a respected romance writer and the topic was using verbs to plot your story.
Now, I’ve gotten into a rut with my writing. Yeah, I write daily. And yeah, I’m publishing books steadily now. But I’m having a harder and harder time getting what I want on the page. The techniques that used to work for me don’t and I’m beginning to see the necessity of plotting, which is terrifying for a pantser.
So I decided that taking a class offered by my local writer’s group was a good idea. No matter how talented you are, you can always stand to learn, polish, become better. The fee was reasonable, I’d heard great things about the instructor—like, really great things—and it was a weekend where I was completely free.
The morning session was instruction and exercises. The afternoon was taking what we learned in the morning and applying it to our own story. It was suggested that we bring an idea for a story or an early-stage manuscript to work on. Since I’ve just started a new manuscript, the timing was perfect.
Basically, the idea of the workshop was to come up with strong, specific verbs to describe our character. Verbs lead to action. Action makes a compelling story. So, for example, if my hero is hiding from his past, his overarching verb would be hide. Every scene he is in would be either described with a synonym for hide or it’s opposite—a synonym for reveal—as his arc progresses. Once you know the action for each scene, it’s easy to flesh out the rest of it—description, motive, backstory, etc.
And in theory, it is. Unfortunately for me, in practice, it was difficult. I kept shying away from verbs and using adjectives or nouns. It’s not that I don’t know what a verb is, but this was a totally new concept for me and I’ve always been more attracted to the why than the what or the how. Plus, it’s plotting and I can’t do that. So while I could totally see what he wanted me to do, there was a huge disconnect in my brain when it came to actually doing it.
Ultimately, I don’t think this method is going to work for me. It might be helpful for me to come up with stronger verbs when I’m writing, because word choice is essential, but no matter how many times I tried it, it didn’t feel natural. Even the workshop leader said if it doesn’t feel natural, don’t do it, which I appreciated. Every writer is different and writing isn’t something that everyone can do the exact same way.
But it was another tool to add to my toolbox, and it was good to make a conscious effort to get out of my rut. Education is always beneficial, and reminding myself that I’m never too old to learn can only help me.