Paula thinks about how she gets to know her characters.
I’ve had quite a lot of reviewers say they feel like they
‘know’ my characters e.g. “so
well written that I feel I know all the characters personally” and “you feel that you have actually met them”.
Comments like this
are great because they show the reader has really engaged with the characters –
and it goes without saying that this will only happen if we, as writers, have also
engaged with our characters. Or rather, with our ‘people’, since according to
Hemingway, “When writing a novel a writer
should create living people; people not characters. A character is a caricature.”
We probably all have
different ways of getting to know our characters in order to portray them
realistically. At one end of the spectrum are the authors who write a detailed
biography of their characters before they start the story and sometimes find
pictures of them all to pin up near their computers. At the other end of the
spectrum are the authors like me, who start simply with a name, and maybe (but
not always) an occupation.
I’ve seen character ‘bio
sheets’ or profiles that suggest you list everything from the person’s shoe
size to what they like for breakfast, and from their best/worst childhood
experience to their favourite movies/books/singers, and their political or religious
beliefs.
Fair enough, if this
helps a writer to ‘know’ their characters, but it wouldn’t work for me. I
couldn’t work from a pre-formed ‘creation’ of a character. I prefer to get to
know my people as I write the first draft of the story (and even then I
probably couldn’t answer all the questions on a character profile!). It’s
rather like getting to know a person in ‘real’ life, and I find they gradually
reveal more of themselves, their backgrounds, their personalities, and their
hopes and fears. Quite often I blink in surprise when a character tells me something
I didn’t know.
In my current ‘work
in progress’, I knew the hero needed some ‘back story’ but when my
brainstorming partner asked me about it, all I could say was, ‘I don’t know
yet, I’m waiting for him to tell me.’ Well, it’s taken a while but eventually,
almost 60K words into the story, he finally got around to telling me! Yes, I’ll
have to go back now, and layer in some extra details earlier in the story, but
to me, that works better than foisting a back story on him in advance. Better
for him to tell me, than for me to tell him!
I’d be interested to
know how much you need to know about your ‘people’ before you start writing their
story.
