Wednesday, October 19, 2016

P is for Predictability

Paula asks: How predictable are your novels?  

I would contend that all novels are predictable to some extent. Detectives solve their cases, criminals/murderers are brought to justice, mysteries are solved, the ‘goodies’ win and the ‘baddies’ lose. People want satisfying (and ‘happy’) endings, whether they are reading murder, mystery, western, or whatever (unless they are reading tragedies, of course)

Why then are romance novels sometimes sneeringly referred to as ‘predictable’? What’s so different between a detective solving his case i.e. happy ending, and a couple overcoming whatever conflicts/problems confront them in order to be together i.e. happy ending?

Jane Eyre came back to Mr Rochester, Elizabeth and Darcy were reunited –were those endings predictable? Yes, of course they were, but does anyone complain about that?

A romance, by its very definition, needs a happy ending.

Of course, the important thing is how we actually get to that happy ending, and this is where the unpredictability comes in. The reader should start to wonder how on earth the hero and heroine are ever going to resolve the problems or conflicts we’ve thrown at them in order to reach their happy ending.

In the case of Jane Eyre, she leaves Thornfield, certain there is no future for herself and Rochester once she learns about his wife. In Pride and Prejudice, Elizabeth Bennet turns down Darcy’s proposal in the most scathing manner imaginable. These are the points where the reader, like the characters themselves, is left thinking that all is lost.


Of course, it isn’t – and this is where writers must use their powers of ingenuity to find a way to bring the heroine and hero together again. It can’t be contrived or coincidental, and it can’t happen until the problems have been resolved, otherwise it will seem too easy – and therefore predictable. Every romance needs a ‘twist in the tail’, something that will surprise the reader near the end – and not a fairy godmother who waves her wand to solve everything for them! Having the reader thinking, ‘Well, I didn’t expect that”, is the way to make the ending of your novels UNpredictable. 

Tuesday, October 18, 2016

P Is For Pitching

Jennifer pitched at the writer’s conference this weekend...

So I’ve been in somewhat of a rut recently. You know the one, where as a writer, you look at everything you’re doing or not doing and find fault? You’re convinced that you’ll never get anywhere and no one will like your stuff. I was ready to crawl into a hole and give up.

But then the NJ chapter of the Romance Writers of America held their annual writers conference. Everyone I knew was going. My critique partners were even involved with running it (and they did an amazing job, but I’m getting ahead of myself). And I wasn’t planning on going. Because, you know, my rut.

Until a writer I admire, who is way more successful than anyone I know (think almost a Nora Roberts kind of success), and who actually calls me a friend, suggested we meet for coffee. Well, if SHE wants to see me, I should probably think about going.

So I signed up.

And then my critique partner, who was arranging the editor and agent appointments, told me she’d help me get good appointments if I wanted to pitch. I didn’t. But my nagging muse kept whispering that I should.

So I picked a few editors and agents.

And then my critique partner changed them for me and gave me some really great ones based on what I write, helped me with my pitch, and put me at the lunch table with other editors and agents. Seriously, how can I say no after that?

Well crap. I haven’t pitched at a conference in years. I don’t like putting myself out there. But I had to. Everyone was super nice, although honestly, all the volunteers who tried to keep us from being nervous by telling us not to be nervous, made me a little nervous (but their dancing and peppy attitudes were hilarious).

But I pitched to an editor and an agent, both of whom loved what I pitched and asked for more. So I’m doing one last round of edits, because you can never edit too much, and then I’m submitting. My goal is to have it done by the end of this month.

And my writer friend and I never got around to having that coffee--but we did give each other hugs.


Here’s hoping for good news soon!

Monday, October 17, 2016

P is for Personality

Ana muses crafting the personality of a secondary character.

In the initial character profile of my villain's wife, she was one-dimensional.
Early 40s, short, mousy hair, flat-chested. Family owned a jewelry store. In high school.
she pined for the villain, son of the richest man in town. She didn't think beyond wanting a
huge wedding. When the heroine's mother rebuffed the villain and married the wild artist,
the villain choose her.
It's a loveless marriage. He's a doctor and runs the State Hospital. She serves on volunteer committees, goes to lunch with friends, pretends to be happy. When her husband's new Physician
Assistant comes to town, she tries to arrange a fling with him. But he's going to fall for the heroine.

We probably knew someone like this back in high school. Not destined to change the world.

I've begun to write the story, and she's playing a bigger role. The marriage had faded to loveless.
Her doctor husband thinks of the heroine as the daughter he could have had. The wife is now a daycare inspector who is dedicated and strict. She is protecting children that could be her own.
She is jealous of the heroine's mother, even though the mother is presumed dead, and can't stop herself from redirecting her jealous onto the heroine.

She seems more human here. She copes in an imperfect way-- and has room to grow over the story.
I have no idea if she will become an ally to the heroine or how much she will allow the villain to manipulate her into helping him.

She's definitely becoming a more prominent character with a multi-dimensional personality.

Thursday, October 13, 2016

O is for (Baseball Season in) October

Debra's team is finally getting their act together.

Chicago is a sports town. Hockey season and football season tend to bring people together. (Whether it's to celebrate our terrific hockey team or to commiserate about our awful football team.) However baseball season tends to divide the city. You're either a Cubs fan or a Sox fan. Even though baseball is probably one of my least favorite sports, I consider myself a die-hard Cubs fan. It's the way I was raised. And for the past hundred years or so, it's definitely been a die-hard kind of following. Fans didn't have a whole lot to root for.

But things are starting to turn around. Last year my Cubbies made it into the play-offs. This year again, and it just might be their year. IF they make it to the World Series, I for sure will sit down and watch some baseball.

Even my husband, who is a Sox fan (We have one of those 'mixed' marriages!) said he'd sit down and watch if the Cubs make it in.

Hmn? Maybe baseball season can bring people together!

Even more fun, the Hawks open their season tonight. That I'm all in for...

In writing, sports can be a fun way to add some depth to our characters. What teams do they like? Are they die-hard fans or jump-on-the-bandwagon fans? Do they root for the team in their hometown or root for the team where they live now? Did they play a sport in high school or college? Fans of opposing teams can throw around some good-natured barbs at each other in the form of witty dialogue. When we're looking for ways to make our characters feel 'real', sports can do the trick.

Until next time,

Happy Reading! (And go Hawks and Cubbies!)

Debra
www.debrastjohnromance.com

Wednesday, October 12, 2016

O is for Options

Paula thinks about the ‘options’ we give to our characters.  

‘Real life’ consists of a series of options, some very minor (e.g. what shall I wear today?) but others requiring us to make major decisions. Similarly, in my novels (and probably in yours, too), the characters have different options presented to them and have to make choices. Should Jess in ‘His Leading Lady’ leave her safe and predictable life to go down to London and impersonate her twin sister? Should Abbey in ‘Fragrance of Violets’ go to Paris to meet with Jack, knowing it will change their relationship but not sure if she wants that to happen?

The characters can agonise about which option to choose. Sometimes they make the wrong decision, albeit for what they may think are the right reasons. In ‘real life’ this could have disastrous consequences, but at least in fiction we can provide the means whereby they can sort out the problems they then face.

Sometimes a character thinks they only have one option. This was the situation facing my heroine in ‘Her Only Option’ and one of my reviewers summed it up perfectly: “After taking positive steps to follow her heart and a future with a man with whom she’s hopelessly in love, things take a life-threatening direction. It’s time to forget what her heart is telling her and listen to what her head is advising to save a life; it’s Her Only Option.”

Blurb:
Neve Dalton loves her job as a tour guide on a River Nile cruise ship as much as she values her independence. She isn’t ready to settle down with her Egyptian boyfriend, despite his repeated proposals and his father’s desire to see him married.
Nor is she ready to meet Ross McAllister, a compelling and fascinating archaeologist. She struggles against her growing attraction to him until she can no longer ignore what her heart is telling her.
When she starts receiving cryptic messages, and Ross’s work in the famous Valley of the Kings is threatened, Neve has to make a heart-breaking and life-changing decision which she feels is her only option.
Can they discover whose enmity is forcing them apart before it’s too late?

What ‘options’ have your characters had to face?


Tuesday, October 11, 2016

O Is For Out of Words

Jennifer talks about reading to escape...

The world is going crazy and I’ve had enough. The American election has turned into a reality show, an embarrassment to our country and to the world.

Countries that support terror are running amok, with little to any pushback from anyone. Photos are horrific and the lack of assistance is staggering.

The edges are sharp and harsh and no one is stepping in to be a role model or even to be kind.

So I read to escape from what I see all around me. And if you’re feeling the same way, may I suggest you read any of the books that we, as bloggers and authors, write? All of us write romance and the requirement for romance is a story with a happily ever after or a happily for now ending. That requirement is missing in the world right now.

If none of our books suit your interest—and that’s totally fine, reading tastes are subjective and we can’t all satisfy everyone—there are mysteries to get your blood racing, and historicals to remind you of happier times, and women’s fiction to showcase the bonds between women, and biographies. Oh yeah, biographies, of some of the better leaders this world has seen—perhaps they will fill you with hope.

Perhaps disappearing into a good book will soften the edges, lower the stress and restore our faith in the world.


So if you’re looking for me, I’ll be buried in my Kindle for the foreseeable future. And if you want to join me, let me know what you’re reading—perhaps I’ll try it too.

Monday, October 10, 2016

O is for Out-take

Ana presents the original prologue of her time travel romance. 

Father Dominic stood at the foot of the open grave and raised his hand for the final benediction just as another squall of ice-edged rain blasted through the old churchyard. He stopped, mopped his brow and wondered if the Heavenly Host were complaining about the soul he was ushering into their eternal care.
Dust rag in hand, Roswyn Littlejohn had greeted him on the day he started ministering to the working class Irish of South Boston. He'd quickly learned she served a vengeful and demanding god.
Now her casket sat on a flat-topped mound of dirt and rock unearthed by four glum-faced workmen. Their picks and shovels leaned like hired mourners against the crude headstone.
 “Amen.” He signaled for the internment to begin.
The workmen slid ropes under her coffin and lugged it to the tomb-shaped hole that had contained the remains of her daughter and son-in-law for nearly sixteen years. Grumbling and grunting, they played out the ropes that lowered the casket until one lost his grip.
The box landed with a sickening thud. 
Father Dominic and the four laborers peered anxiously into the chasm.
            As if pushed by an invisible hand, Roswyn’s box slid slowly to the center and dropped onto its side between the two decaying palls. In life, she'd stood between her daughter and her daughter's husband. She seemed just as determined in death. 
“The devil’s touch,” the head workman intoned superstitiously.
            Wide-eyed, his fellows nodded.
“You finish this, Father,” he continued. “We’ll not stay longer.” 
Father Dominic didn’t order them to come back. His pledge to honor Roswyn's wishes had been exacted in return for her silence about a night long ago, the night he had had been tempted.
He had always hoped he’d find peace when the old woman died. Now that feeling eluded him.
He pitched a dozen shovelfuls of dirt into the hole. Then he remembered—Roswyn’s granddaughter was still in the church. She had insisted on staying after the service.
Angel Foster had been like his flesh and blood since she was orphaned to her grandmother’s care. Barely a year old, she’d sat in a rusty stroller while Roswyn scrubbed the rectory floors. By the time she was three, she was trimming candlewicks in the sacristy. She spent as many hours in his company as her humorless caregiver permitted. He delighted in her endless questions about fate and free will as much as he sought to soften the harshness of her home life.
The slim, young woman knelt still as a statue in a shadowy corner of the empty sanctuary.
He rustled his vestments to avoid startling her.
“Is it done?” Angel lifted her veil.
“Yes, my child.” He held out his hand. “Tis well you stayed inside. A cruel wind blows this night.”
She slipped her fingers between his, leaned against his protective bulk and jerked back. “Father, you’re soaked. You must go to the rectory and warm yourself at once.”
“I’m fine.” He patted her hand.
“You’re not fine,” she replied indignantly. “The hem of your cassock is dirty. Oh, Father, did you fall in?”
“No. I was helpin’ the others so they could get out of the rain.” He cleared his throat. “Angel, there are things that must be said.”
“Then say them. I’m not a child.”
“True. You are not. Angel, yer granny left everything to the Church. The house isn’t worth much, and the Bishop has decided to raze it for a new parking lot. The furnishings, therefore, are yers to take.”
“These are all I want.” She tightened her grip on three framed pictures. “Give to the needy and bulldoze the rest. I never want to see any of it again.”
“Very well,” he said soothingly. They resumed their slow recessional. “Have ye decided what ye will do now?”
“I have a room at the YWCA and enough credits to graduate early.”
“Did ye speak with Mr. O’Shaunessey about being his check-out girl?”
“And let him feel me up in the back room again? I’d rather starve.”
“Oh, dear.” He’d heard rumors, but few parish teens were as outspoken as Angel. “With yer head for numbers, I thought it would be a good match. No matter. In no time ye will meet a nice Catholic man to marry, have a houseful of wee ones, and yer life will be full. Twill give me great joy to officiate at that ceremony.”
“No. My life is mine to do as I say now.” She trembled, but he recognized it was from fervor, not from fear. “I mean no disrespect, Father, but I want more out of life. I want to wear something other than mission box clothes. I want a job that folk will respect. I want to go to France and see where Saint Joan crowned the Dauphin.” Her voice grew stronger. “I will sleep ‘til noon on Sundays, and you’ll be stiff in your grave before I have a ‘houseful of wee ones,’ because I will never, ever get married.”
“Remember, child,” he admonished, “tis God who guides yer life.” He regretted his perfunctory, sanctimonious response. She had already been through so much in her short life. “I’m counting to five. Whose day is this?”
“February 9th.” She answered before he got to three. “Appollonia, patron saint of toothaches and dentists.”
“On the button, as usual.” He chuckled and cleared his throat again. “I have the Bishop’s permission to grant five thousand dollars towards yer granny’s hospital expenses. It won’t wipe them clean, but it will buy ye time to find yer way.”
“Bless you, Father.”  Her big, blue-gray eyes glistened, but he knew she would not cry.
“Have you been plagued by dreams since she died?”
“No, Father.” The knuckles of the hand holding her pictures turned stark white.
“Oh, that’s fine.” Silently, he prayed the picture glass would not crack and cut her.
All too soon they reached the front doors. He thought about explaining what had happened in the grave, but it was almost dark, and her room was twelve long blocks away.
And he had not yet reclaimed his equanimity. “God goes with you, Angel Foster. I’ll watch for you next Sunday.” He drew the sign of the Blessed Cross on her forehead.
She picked up her small, battered suitcase and walked out into the storm. The uneven hem of her shabby, gray coat flapped cruelly against her legs.
He waited on the church steps, just in case she needed an encouraging wave.
To his dismay, she stopped in front of the churchyard gate.
“There’ll be plenty of time to pay yer respects,” he called out. “You’d best go along home now.”
 She ignored him and walked into the churchyard.
“Angel, stop. It’s not done.” He chased after her. When he caught up she was already beside the grave.
“You said when Granny Roswyn died we wouldn’t have to listen to her any more,” she accused. “But you always did what she wanted.”
He seized on the first platitude that rose to his lips. “Remember, child, love is built on forgiveness.”
           “She never forgave them,” she shouted, pointing down at the mildewed, worm-eaten boxes. “And she never loved me. But at least she was honest.” She pulled away from him.
            “Come back inside, Angel,” he pleaded. “I can explain.”
“You mean you’ll tell me more lies.” Her voice was full of loathing. “You never cared about any of us, Father.” She turned, darted through the rectory gate and disappeared.
           The wind swirled savagely around him. Its strength made him feel small and insignificant, and its pitch evoked Roswyn Littlejohn’s shrill, self-righteous voice.
           He welcomed the penance. He picked up the shovel and pitched earth onto her coffin.