Thanks so much for having me Ana, Debra, Jennifer and
Paula! I’m very excited to be here, and I’m
very much looking forward to sharing my thoughts with your readers. As this blog is called “Heroines with
Hearts,” I’ve decided to share a little about heroines, not typically the first
element that comes to my mind when I’m considering writing, or reading, a
romance novel.
So, how important is having a strong heroine? If you’re anything like I was when I first
began writing, you might think that the heroine’s strength of character is not
all that important. Or perhaps you’re so
distracted by the hero you find it difficult to focus on anything else. Well, if you feel this way you’re probably
not alone. However, I urge you to pay
attention to this very critical element, one which is significantly more important
than you might think.
When I was first began writing romance, I thought
the most important thing I could do was to create danger. Danger enhances plot, and it creates a
feeling of urgency and suspense. Aside
from the fact that I wanted to write romantic suspense, I was trying to create
opportunities for my hero to come to my heroine’s rescue. Because that’s what we’re all reading for,
right? To see the hero strut his stuff,
to see him be…a hero? This is very true,
and it’s something I agree with strongly.
But a hero is only as good as his heroine. And consequently, a heroine must be equally
as strong as her hero.
The first story I ever wrote, the original version
of Dangerous Proposal, looks very different from the finished project. There were many things I needed to change
about this story before it could be published, but one in particular stands out
in my mind. My heroine, Lena, was
weak.
But I want her that way, I said. How else can the hero, Alec, save her? How else can I give him an opportunity to
make her go weak-at-the-knees, come to her rescue? Well, there are a lot of ways to do this. And in fact, it’s a lot more interesting to
see a strong heroine brought to the point of vulnerability, by virtue of a
scary plot, and her inexplicable attraction to the hero, than it is a weak
one. It’s just that simple.
I submitted the original version of Dangerous
Proposal to contests and critique partners, and most were in agreement that the
heroine, Lena, was weak. But something
else about her was pointed out to me, and that was something that made a
tremendous difference as I began the editing process. Namely, Lena wasn’t likeable.
Lena’s not likeable, I gasped. Why the heck not? She’s sweet.
She’s smart. And she’d do
anything to help the people she loves.
But just as the old adage goes, it’s difficult for others to like a
person who doesn’t like them self. And apparently,
Lena did NOT like herself. If she did,
why would she remain engaged to a fiancé that she had serious doubts about, a
man she was almost positive was doing cold and underhanded business dealings—a
criminal?
And so, I set out to fill in the blanks. It didn’t take too long. Lena’s parents were overbearing. So overbearing that they’d set her up on
dates with one arrogant blowhard after the next, made it their mission in life
to find her a husband. They drove her so
crazy that dating a psychopath was practically a break from the monotony. Not that Lena knew Lucas was a psychopath,
exactly. She knew enough to have some
doubt about the relationship, but when she learns what he’s up to—trying to get
the two of them married without her consent—she does what any strong heroine
would do. She runs, not looking back.
Strong heroines propose an opposing force to the
heroes that challenge them. And
typically, that opposing force is needed, both to balance a story as well as to
help the hero grow as a man.
In my debut release, Dangerous Ally, Lilah (heroine,
New York Times Reporter, and also Lena Benson’s younger sister) takes a job in
the Ramone Mansion. A hard-nosed
journalist, Lilah is hoping to expose Lucas Ramone (her sister’s ex-fiancé) for
his crimes, and write the story of a lifetime.
But what Lilah doesn’t realize is that from the first moment, she
actually begins to transform Lucas in a positive way.
Telling himself he’s only trying to sway the savvy
journalist’s opinion, Lucas finds himself sticking his neck out for Lilah on
several occasions, coming to the aid of his own sister and half-brother, and making
a sizable donation to a charity. This
strong heroine impacts this tough-as-nails hero in a major way, causing him to
look inside of himself and make a complete transformation.
But…if my heroine’s too strong, will it be
believable for her to come into danger’s path, consequently providing
opportunities for the hero to come to her rescue? Absolutely!
Once I got over the notion that only weak heroines need saving, I
realized that there was a whole world of opportunities for my heroines to be
saved.
For instance, in Dangerous Proposal, strong and
independent heroine Lena Benson attempts to hide in the remote town of North Conway. But danger is never far away. A witch, whose identity and significance are
a mystery to Lena and the audience alike, is hot on her tail. And of course, Lucas is never far away
either. Despite the fact that Lena is a
strong heroine, these villainous elements offer her a world of danger, and
consequently, opportunities for hero, Alec, to come to her rescue, are numerous.
As romance novels are typically read by women, the
heroine is often the protagonist.
Sometimes the protagonist is weak, but let’s face it. Isn’t it disappointing when that is the case? As our readers essentially see the story
through the protagonist’s eyes, they’re looking for someone who inspires them,
someone they can identify with, and someone we want to emulate. When that character is strong, we in turn,
are inspired to be strong. And aren’t we
all trying to be strong heroines when the day is done?
BIO:
At two years old, Jessica became a devoted fan of both
listening to and reciting the books her parents would read to her at night. When
she was a little older (about four), she sought a greater challenge in her life,
and began making up stories of her own, acting them out with her dolls. “When
the dolls got “boyfriends,” she says, “I knew I was getting too old for
dolls!”
As a romance novelist and a reader alike, Jessica is most
intrigued by dark heroes, who have many demons to conquer…but little trouble
enticing female companions into their beds! She feels that the best romances are
those where the hero is already seducing the heroine from that first point of
contact. “Isn’t it the hero’s job to seduce?” she says with a grin.
Jessica loves to see the sparks fly when a stubborn,
domineering hero crosses paths with a bold, feisty heroine, and uses the
combination frequently in her stories.
When she’s is not writing, Jessica enjoys listening to as
much80’s music as possible, watching the same re-runs of Smallville over and
over, shopping for exceptionally unique cameos, and taking long walks in nature
where she can daydream about anything romantic. Though she resides in Central
New Jersey, her heart belongs to the White Mountain National Forest in New
Hampshire.
Blurb for Dangerous Proposal:
For
ten agonizing years, Alec Westwood has been keeping a secret from the world. At
nineteen, he nearly committed the most horrific of crimes—murder in cold
blood—and narrowly escaped the assigned task with his life. When a stunning
young woman crosses his path wearing the insignia for the underground
organization that recruited him, he vows not to let fate get a second chance.
But when the enchantress gives him a kiss that leaves him spellbound, Alec
realizes the power she holds is greater than all his strength and fortitude
combined…
On
the run from her psychotic fiancé, Lena Benson vows to forge a new life, even if
that means befriending a witch, and practicing the craft of the devil. But when
her new friend Jack tells her to stay away from Alec Westwood, the man she
believes her fiancé hired to track her down, and the handsome stranger she
kissed in a tavern, Lena vows to take matters into her own hands. Alec may have
the charm, but she’s calling the shots this time, even if that means resisting
the man responsible for giving her the most intimate kiss of her life, a man
who’s eyes and touch rob her, literally, of sense…
Excerpt for Dangerous
Proposal:
Lena looked at Alec. He
was smiling softly, no longer criticizing. His eyes were full of intent. They
suggested one thing. Come with me. And your desires will be
fulfilled.
Anticipation consumed
her. She reached for his hand. Excitement melted into warmth. Warmth became
security. They began to walk together along the moonlit path.
She felt…safe. As if for
the first time since she’d left Westchester, everything was going to be all
right. No one could hurt her. Not when she was with Alec. Her skin tingled with
warmth as he brushed his thumb across the surface of her hand.
“Where are we going?” she
asked.
“I thought we were taking
risks tonight,” he said with a grin. “You want to be surprised, don’t
you?”
Her cheeks were flushing.
She was grateful for the darkness that masked her anxious demeanor.
He smiled. “Don’t worry.
I think you’re going to like this.”
She imagined she would,
considering how much she had enjoyed everything he’d done so far. A part of her
was still afraid, but a larger part wanted very much to know where he was taking
her.
Alec stroked her knuckles as they walked. The feeling was intoxicating,
like sweet, dark chocolate. The longer he did it, the more it seemed this simple
touch was no longer enough.
She was drawn from her
thoughts as Alec stopped beside a bench. He took a red-and-blue-checkered picnic
blanket and slung it over his shoulder.
“Is that yours?”
He shrugged. “I just
thought you might want something to sit on. Some of us tend to”—he cleared his
throat—“dress up a little more than others.”
Lena laughed. With his
hand around hers, she was almost appreciating his wit. “I guess some of us
do.”
He leaned in, his warm
breath coming against her ear. “I didn’t say I didn’t like it.” He gave her hand
a squeeze. “It’s just past those trees. No peeking. I want you to be
surprised.
“I promise I won’t peek.”
She smiled and shut her eyes. A shiver shot up her spine when she realized he
was kissing her cheek.
Lena took an uneasy
breath as she walked forward, unable to see what was in front of her.
Keeping
her arms at her sides, Alec moved her in slow steps. She was taking quite a
risk, allowing him to lead her along like this. He could do anything he wanted
to her with her eyes closed like this. Oddly enough, the idea was more exciting
than it was frightening.
Guiding her by the
shoulders, he walked forward a few more paces. Then he stopped. “All right,” he
said. “Open your eyes.
Lena did as she was told,
looking out at the biggest, most beautiful lake she’d ever seen. It was vast in
size, extending out as far as the trees that surrounded it. Moonlight shined
against an uneven surface. Dark ripples glittered beneath a starlit
sky.
She turned, looking up
into two eyes as blue as the water. “It’s beautiful, Dr. Westwood.”
“Say my name, Lena,” he
commanded softly. “I love the way it sounds when you say it.
Lena bit her lip. Once
she did this, there was no going back. It would break the unspoken barrier
between them. But how could she deny him anything when he was looking at her the
way he was?
She suddenly became aware
of Alec’s arousal pressing against her back. Her pulse quickened. He tucked a
lock of hair behind her ear, tightening his hold on her.
She took a deep breath.
“The lake is beautiful, Alec.”
Fantastic post! I 've made the same mistake, though I attributed it to a need to let out my inner fears. Thanks so much for being here today!
ReplyDeleteHeroines are a tricky element by they make our romances what they are. Thanks for commenting, Ana!
ReplyDeleteWelcome to the blog, Jessica. So glad to have you. I love your comment that the hero is only as good as his heroine--that's so true!
ReplyDeleteGreat post, Jessica. I don't like 'weak' heroines. I tend to think the hero and heroines have different strengths that sometimes cause conflict between them, but other times complement each other.
ReplyDeleteHi Jessica,
ReplyDeleteThanks for being here with us today! Your post was spot on! I love the line about a hero only being as strong as the heroine.
I tend to have a better handle on my heroes first. The heroine definitely develops, grows, and changes as the novel progresses. Which means I often have to do some rewrites and revisions of the beginnings of my stories.
Wow! You're so right. Thanks for the insightful article. I might not come up with the heroine first but she's got to be a good match for the hero when I do. As Paula said. They need to have different strengths. If she's a walk-over with WELCOME printed on her forehead there'd be no book because there'd be no conflict. Great point!
ReplyDeleteJessica...my stories always start off centering around my hero and those interesting "inner demons." Without much effort, the female lead becomes an all-imporatnt part of the plot and tale in total.
ReplyDeleteI think it is impossible to have a story with a romantic relationship where one character is defenseless/needy/oblivious.
Just don't work...
Making stories up at the age of four?
I think I was 20 before I knew my colors...
great post
J Gavin