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Every writer knows what “voice” is. It’s what makes you as
an author distinguishable from every other author. It’s your way of putting
words together, how you describe things, your pacing and your POV. Voice
identifies YOU.
On Black Friday, or the day after Thanksgiving for those of
you not in the U.S., my family and I binge-watched the return of Gilmore Girls.
For those of you not familiar with the show, it was on for seven seasons
several years ago and is about the relationship between a single mother and her
daughter (and lots of other peripheral characters) living in a small town named
Stars Hollow.
The show was originally created by Amy Sherman-Palladino and
it was known for it’s snappy, fast-paced dialogue, comedy and touching moments.
Due to a contract dispute, she left after the sixth season. The rest of the
producers tried to keep it going for one last year, but Ms. Sherman-Palladino
was disappointed with the way they ended the show. When she was given the
opportunity to bring it back for a limited run—a four-episode arc that spanned
a year in the life—she took it. She wrote two episodes, her husband wrote the
other two.
Watching the show, I could immediately tell the difference
between those episodes she wrote and those her husband wrote. The dialogue,
while still snappy, wasn’t quite as polished or clever. The pacing was slower
in her husband’s episodes. The characters weren’t quite as “on.” Even if I
hadn’t seen the writing credits, it was obvious.
In this case, what made the show so enjoyable was Ms.
Sherman-Palladino’s voice. Honestly, I didn’t enjoy her husband’s episodes
nearly as much as I did hers, although they were still good. They just didn’t
sparkle.
Variety in voice is essential. We wouldn’t want all stories
to sound the same. Nor would we want someone else trying to imitate a voice. I
can’t do Ms. Sherman-Palladino’s voice, no matter how hard I try. And I
shouldn’t. I have my own, just as you all have your own. So don’t just write
what you know, write how you are best able to do so.
Be you. You’re the only one who can.
Exactly the same happened in 'The West Wing' when Aaron Sorkin left it after Season 4. The next 3 seasons continued the story with different writers, but any TWW fan will say the first 4 seasons were much better than what followed.
ReplyDeleteI love Aaron Sorkin and was so disappointed when he left. I always watch his shows.
DeleteI sometimes wonder how much was Sorkin's writing and how much was the actors' interpretation of his dialogue. I've read a lot of his original scripts for TWW, and tend to think the actors breathed life into his words. Whereas, as novelists, we have to breathe life into our own words.
DeleteHaving seen many of his other shows, I think a lot of it was him.
DeleteGreat post, Jen!
ReplyDeleteTrusting that I had a voice to find was a step I had to take.
I don't worry about it any more. I have many more things to worry about now.
I've always loved your voice, Ana! It's unique and unforgettable. Glad you're learning to trust it.
DeleteVoice is one of those tricky things that can't really be taught. But I do think authors can perfect their voice over time. I also think an author's voice can change or go through changes as their talent grows.
ReplyDeleteGood point, Deb. I know my voice has changed over the years (hence my deep editing of my re-published novels only a few years after they were first published) but equally I know of people who have re-published older novels without any deep editing. It makes me wonder if they haven't actually 'progressed' with their writing in the meantime.
DeleteI agree with you Debra, although I don't think the voice completely changes into something completely different.
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