Welcome to today’s Friday Friend, Joanne Stewart.
Joanne
lives in Seattle, Washington. She and her husband are celebrating their 16th
anniversary this summer, and they have two boys, aged 12 and 17. They also have
two puppies, a Lab mix and a Chihuahua mix – guess who rules the roost?
First of all, Joanne,
how long have you been writing?
Oh geez. Since my kids were really little. So I think
somewhere around eleven years now. I had to ask my husband to help me do the
math. I recall the apartment we were living in, but not the year.
How long did it take
to get your first book published?
This answer really depends on how you look at it.
Technically, it took me ten years, but I took a long hiatus from writing, like
five or six years, and only came back to it about two years ago. When I finally
did come back, I picked up the last book I’d written, filled a couple of plot
holes I saw, and decided, on a whim, to send it to The Wild Rose Press. About a
month later, they offered me a contract.
Filling those plot
holes obviously did the trick, Joanne! And how wonderful to receive a contract
from your very first submission.
Do you outline yourstory
beforehand or do you write from your head i.e. plotter v. pantser?
I used to be a pantser all the way. I could sit down with a
basic premise and some characters and write gleefully. Over the years, though,
as I’ve learned my craft, I’ve become a bit of both. Nowadays I need to know
certain things about the story before I can write. A vague idea of the premise,
some of the characters’ GMCs, but then I just sit down and write and let the
story take me where it will. Usually means I get stuck a lot, and have to go
back and revise scenes, but I don’t outline at all. I find outlining too much
makes me lose my zest for the story. Plus the characters usually run off with
my story anyway. In fact, I can almost guarantee it.
I know exactly what
you mean. If I do too much ‘outlining’, my stories lose their spontaneity.
Do you have critique
partners and/or beta readers? Why or why not?
I currently have two critique partners. I do prefer them.
I’m much more comfortable knowing someone else’s eyes have seen the story. That
way I can make sure that what I mean to say is making it onto the page and the
story and characters are being perceived the way I’d intended. I’d rather my
partner point out potential problems than risk losing an editor’s attention for
something I might have been able to fix beforehand.
Very good reasons for
having critique partners!
What genre(s) do you
prefer and why?
I prefer contemporary and historical. I do read paranormals
on occasion, but not much. For the most part, I want a fantasy. I read for
escapism, to get caught up in someone else’s world for a while. Ever look up
from a book and forget where you’re at for a moment? That’s bliss to me. But
for me, the story has to have a touch of realism. It loses its power if I can’t
imagine it truly happening. So a paranormal for me has to move me beyond my
belief system and convince me that this could possibly happen. Which
unfortunately doesn’t happen often. I like contemporary because I like putting
myself in the heroine’s shoes and living her life with her sexy hero. Same for
historicals, except I get transported back in time. Granted, the era I’m
transported back to has been romanticized, but I’m okay with that. ;)
Again, I can
empathise with this, as I like writing and reading about ‘real’ characters,
rather than supernatural ones.
What, for you, is the
best part of writing? And the worst?
The best: when the story takes on a life of its own. You
know, when the characters are surprising you and taking you down a path you
hadn’t expected, and you find yourself getting up in the middle of the night,
because you can’t sleep until you write that scene down. It’s very addicting
for me. I get very OCD when I write. That book and those characters are all I
think about until the book is finished.
The worst: that part in the beginning where I’m just
learning about the characters. It’s a proverbial open book and it can sometimes
take me a while before I really get to know them enough that the story opens up
to me. It’s very nerve-wracking. I panic in every book. I took that long break
from writing, partly because I got a major bout of writer’s block. I couldn’t
finish a story to save my life. And so whenever I get stuck at the beginning of
a book, I wonder, “Is this it? Is this going to be my last book?” That’s
probably more than you wanted to know, right?
You’ve put my
thoughts into words here! I love the process of getting to know my characters
and especially the time when they start to do their own thing.
What do you think
makes a good romance novel?
Characters, hands down. Characters that come alive on the
page and make me care. If you can make me cry, I’m yours.
I think you’re now
reading my mind! I once said to someone that if my book made her cry (for the
right reasons, of course!), then I’d know I was doing something right.
What are you
currently working on?
At the moment, I’m in between projects. I just finished a
full length novel and am in the process of cleaning it up to send it to my
agent. I plan to start working the sequel to The Playboy’s Baby. Dillon’s brother Logan’s book. A romance
between a younger chef who’s just found out he’s a father and widowed slightly
older woman who’s trying to move on with her life. That’s all the characters
have let me in on so far.
Sounds good!
Tell us your five
favourites: author, actor, movie, song, quotation.
Author – Diana
Gabaldon.
Actor – can’t say
I have just one favourite, but I was always fond of Robin Williams and Whoopee
Goldberg, nowadays, I like Adam Sandler
Song—this one’s
hard. My favorites change. Right now, it’s Adele, a toss up between her song,
“Take it All,” and “Don’t You Remember.”
Movie—Hm. I have a
couple. The Green Mile, and City of Angels. There are a few more, but those
come to mind first. Oh, and Grease. I never get tired of watching that movie.
Quote—hmm. I’m
not much for quotes. But I have one on my facebook page I came across a couple
of years ago. It has a personal meaning for me. I understand how he’s feeling
here when he says this:
"Ye know the fortress I told ye of, the one inside
me?"..."Well, I've a lean-to built, at least. And a roof to keep out
the rain". ~Jamie Fraser, "Outlander"
Tell us about
your latest release.
Blurb:
They can't forget the past, but is it enough to create a
future?
When an accident leaves her guardian to her six-month-old
niece, Emma Stanton must return to her small hometown of Hastings, Montana to
find the one man she's spent the last eight years trying to forget. She and
Dillon had grown up together--he was her sister's best friend. But that hadn't
stopped him from sharing a kiss with Emma that had followed her through the
years. Now, not only must she break the news of her sister's tragic death to
Dillon, but she must risk the only family she has left and tell him he's the
baby's father.
Wealthy nightclub owner Dillon James has been used for his
name and money one too many times, so when he comes face-to-face with Emma
Stanton and her gorgeous lips, he's determined to keep things light. All he
wants is to be the father his daughter needs, to make up for not being there
for her and her mother. But spending time with Emma, as she shows him the ropes
of caring for his daughter, is wearing down his defenses. Perhaps it's time he
took a chance on love.
If only he can convince Emma to take a chance on him...
Excerpt:
Twenty feet in front of
her, leaning back against the waist-high bar, stood the man she’d spent all day
tracking down—the infamous Dillon James. The man who would soon have the power
to take away everything she held dear. He stood amongst a small crowd of
adoring fans, all staring up at him with starry-eyed expressions, hanging on
his every word. Judging by the playful glint in his eye, he loved every minute
of it.
Dillon’s head turned, his
brows rising in stunned surprise. His gaze locked with hers. He straightened
off the bar, pulled away from the women vying for his attention, and moved in
her direction, his stride long and loose.
Every step that drew him
closer only increased the odd mix of emotions pounding through her. For two
weeks she planned this moment, right down to what she’d say when she eventually
found him. Yet not only had her throat closed up, her entire body trembled.
Trepidation mixed with anticipation, excitement, and a good amount of fear
coursed through her.
When Dillon stopped in
front of her, her pulse settled on a quick, wild rhythm. At six foot five, he
towered over her and made her shiver from the sheer size and power of his
broad, sculpted body. God, she hadn’t seen him in eight years, yet he looked so
much the same. The same dark hair—a rich brown, the color of espresso, sinfully
thick and gleaming soft beneath the low overhead lights. He had the same square
jaw and wide, sensual mouth.
The lithe nineteen-year-old
body she remembered had filled out over the years. The dark blue T-shirt he
wore was stretched taut over broader shoulders, the soft cotton clinging to
distinctly thicker biceps. His dark jeans hugged the contours of his body,
outlining the shape of his lean hips and long powerful thighs.
“Emma Stanton.” Dillon
shook his head, a wistful smile tugging at one corner of his mouth. “I thought
maybe I was seeing things, but, wow, it really is you.”
“Hi, Dillon. Sorry to show
up here like this.” Her stomach somersaulted. “I’ve been looking all over for
you today. I went to your house this afternoon. Obviously, you weren’t there.
So I went to your parents’. Your mother wasn’t at home, but your housekeeper
mentioned that she’d seen Logan yesterday and suggested I ask him. Your
brother’s back in town, by the way. Did you know?”
She caught the insanity
flying past her lips a moment too late to suck the words back. A fierce heat
climbed into her cheeks. Of course he knew his brother was back in town.
Probably saw him every day. God, could this get any worse? She looked like a
complete fool.
“It’s good to see you too,
Em.” Dillon folded his arms across his chest, his mouth splitting into a wide
grin.
I loved this story! And you know about
making your readers cry? I only have to envision Dillon holding baby Annie
against his chest, and I fill up. That’s an image that will stay with me!
Find more about
Joanne here:
Website: http://authorjmstewart.com
Thanks so much for being our Friday Friend today, Joanne!
I have read both of Joanne's books and she does a wonderful job with character development. I also like her love scenes, they are what in my mind good sexuality should be, healthy, fun, wholesome, and loving.
ReplyDeleteShe is an excellent author.
Hi Sextant! Thanks for the wonderful comments!
ReplyDeleteThanks for having me, Paula! I love that you loved the book! And very touched that that makes you cry. I've been told by someone else that they teared up reading this book. You know, that's a marker for me, as a reader, as I mentioned. If you can make me cry.... so to know I can do that for someone else is just...awe inspiring.
ReplyDeleteI have to admit Dillon and Annie are a big part of what I love about this book. There is just something about a big man and a baby, isn't there?
Joanne - you're doing something right. I love your books and your characters invade my thoughts long after I turn that last page. Can't wait for the next one!
ReplyDeleteThanks, Dixie! I appreciate that!
ReplyDeleteYou're right about the big man and the baby, Joanne. See, you've got me tearing up again, just imagining it :-)
ReplyDeleteSomeone said this past week that one scene in my novel 'Fragrance of Violets' made her cry, and I told her that was one of the best things to tell an author!
Hi Joanne, welcome to HWH and thanks for letting us see a glimpse of your writing process.
ReplyDeleteI think you just sealed the deal, Paula. I've been trying to decide which of your books to read first. Fragrance of Violets it is! :)
ReplyDeleteThanks for the welcome, Jennifer!
ReplyDeleteWhat a great interview, Joanne. I've not yet found a critique partner, but can see the value in having one who will point out the pitfalls. I'm also straddling the genres of contemporary an dhistorical and have only been on the published scene for a little while. Lots to learn. *sighs* Best wishes!
ReplyDeleteI'm so glad you are our guest today, Joanne. Congratulations on your success. Your excerpt is everything I want mine to be. I'm off to Amazon.com to buy your book.
ReplyDeleteHi Nancy! I have to admit I have critique partners cause I don't trust myself. lol But I think it's to each his own. I'm working nowadays in trying to learn to trust myself more. And I think you're doing great! But yeah...I've only been published for a couple of years now and I still have a LOT to learn. thanks for stopping by!
ReplyDeleteThanks, Ana! Hope you enjoy the book!
ReplyDeleteLOL, Joanne - tell me if it makes you cry!
ReplyDeleteAna, you've made a good choice. I LOVED Joanne's book.
And yeah, I think we're all on a learning curve of one kind or another!
Hi Joanne,
ReplyDeleteWelcome to Heroines with Hearts. Sorry I'm so late chiming in.
I totally used to be a pantster, too, but lately have written a couple of novellas from fairly detailed...almost synopsis like...outlines. I guess it's all part of the writing learning curve.
Congrats on your new release! I love the premise of the story. Here's wishing you many sales...
Paula--will definitely let you know if it makes me cry!
ReplyDeleteHi Debra! I know some day I'll likely have to learn to write a synopsis first, and I have to admit it scares me to death. I learn most of the plot by writing the book.
ReplyDeleteThanks for the welcome!